Research

Bill Nichols proposed that there were six different modes of documentary—poetic, expository, reflexive, observational, performative, and participatory—each containing its own specific characteristics.

Poetic mode: A poetic documentary eschews linear continuity in favor of mood, tone, or the juxtaposition of imagery. Since poetic documentaries often have little or no narrative content, the director of photography is often asked to capture highly composed, visually striking images that can tell a story without additional verbal context.

Expository mode: Expository documentaries set up a specific point of view or argument about a subject and often feature “voice of God” style voice-over. For expository documentaries, the cinematographer is responsible for collecting footage that supports and strengthens the spoken argument of the film, including stock footage, archival footage, b-roll, or re-enactments of historical events.

Participatory mode: Participatory documentaries are defined by the interaction between the documentary filmmakers and their subject. Therefore, a cinematographer is equally responsible for capturing the interviewer as he is the interviewee. Participatory documentaries, also known as interactive documentaries, often present the filmmaker’s version of the truth as “the” truth, focusing on direct engagement with subjects and capturing real emotional responses and interactions. Many of the interactions that are captured support the filmmaker’s point of view or prove the film’s intent.

Observational mode: A style of documentary embraced by the cinema verité movement, observational documentaries attempt to discover the ultimate truth of their subject by acting as a fly-on-the-wall—in other words, observing the subject’s real-life without interrupting. Cinematographers on observational documentaries will often be asked to be as unobtrusive as possible in order to capture their subjects in a raw, unguarded state.

Reflexive mode: Reflexive documentaries focus on the relationship between the filmmaker and the audience. Since the subject matter is often the process of documentary filmmaking itself, a cinematographer will shoot behind-the-scenes style footage of the entire film production process, including editing, interviewing, and post-production.

Performative mode: Performative documentaries focus on the filmmaker’s involvement with their subject, using his or her personal experience or relationship with the subject as a jumping-off point for exploring larger, subjective truths about politics, history, or groups of people. A cinematographer is often asked to capture the documentary production process, as well as intimate footage that illustrates the direct and often personal relationship between filmmaker and subject.

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